又見桃花源—沈岳&阿海&林海鐘作品展即將開幕
| 2025-02-27來源： 藝術中國 |
展覽海報 展覽名稱：又見桃花源—沈岳&阿海&林海鐘作品展 策展人：馮黎敏 執行策展：吳文秀 呂真 展期：2025.03.1- 2025.05.30 主辦：瀚陽藝術中心 地點：杭州西湖區 曙光路120號黃龍飯店 西大堂 春光明媚，好展開啟?！坝忠娞一ㄔ础蛟馈⒑！⒘趾ｇ娮髌氛埂睂⒂?025年3月1日（周六）在瀚陽藝術中心開幕。“又見桃花源”是瀚陽藝術中心上一個展覽“如是我心”的延續，也是其對“桃花源”這一主題的再次探索。 本次展覽共展出作品46件，皆為藝術家的新作。三位藝術家創作的題材雖風格迥異，表達主旨卻內核相通。他們以各自的方式，重新詮釋了“桃花源”這一極具東方意蘊的文化符號。 無論是沈岳筆墨間的忘我之境，阿海畫紙斑駁中的澄明之光，亦或是海鐘所描繪的湖山之間的心靈棲息，都在傳遞著同一個訊息：當你的心與世界、與天地萬物鏈接在一起的時候，你就會感到無上的清涼與光明。而有過那樣境界的人，是不會再有煩惱和疑惑的。 心中若有“桃花源”，何處不是水云間。 這是瀚陽藝術中心在黃龍飯店藝術長廊舉辦的第七十五期展覽，展期至2025年5月30日結束。歡迎蒞臨觀展。 沈岳 | 又見桃花源 | 紙本水墨 135×68.5cm 2025 序言（節選） Preface（Excerpt） 沈岳出生于杭州，是中國美術學院（原浙江美術學院）恢復高考后的首屆中國畫專業學生。自幼師從陸儼少、吳茀之等大家，他深諳傳統筆墨的精髓，卻又不受其束縛。他的創作橫跨繪畫、陶藝、影像、裝置和雕塑，展現出極強的跨界能力。這種自由的表達方式，正是他內心“解衣磅礴”氣質的體現。 Born in Hangzhou, Shen Yue was the first student of Chinese painting at the China Academy of Art (formerly Zhejiang Academy of Fine Arts) after the resumption of the college entrance examination. Since childhood, he has studied under Lu Yanshao, Wu Fuzhi and other masters, and he is well versed in the essence of traditional brush and ink, but he is not bound by it. His practice spans painting, ceramics, video, installation and sculpture, showing a strong cross-border ability. This kind of free expression is the embodiment of his inner "undressing" temperament. 沈岳 「又見桃源」系列之一 紙本水墨 22.7x34.3cm 2025 沈岳的花鳥尤為動人。他筆下的桃花灼灼綻放，鳥兒自由翱翔，畫面中洋溢著自然的生機與活力。然而，這些作品并非簡單的自然摹寫，而是藝術家內心的流露。在他的畫中，花枝的勃然、鳥兒的嘰喳，都是對自由與和諧的禮贊。他用紙和墨構筑了一個屬于自己的 “ 桃花源 ”，那里沒有束縛，只有盎然的生命力與絢爛。 沈岳 「又見桃源」系列之一 紙本水墨110x61.5cm 2025 Shen Yue's depictions of birds and flowers are particularly evocative. His peach blossoms and birds seem to soar freely, imbuing the artwork with a sense of natural vitality and vigor. However, these creations are not mere representations of nature; they are expressions of the artist's inner emotions. In his paintings, the flourishing branches of flowers and the melodious chirping of birds serve as a tribute to freedom and harmony. Using paper and ink, he has constructed his own "Peach Blossom Spring," a place devoid of constraints, filled instead with abundant vitality and splendor. 阿海 | 如是·之一 | 紙本設色 178.5×93cm 2020 阿海是南京人，早年就讀于南京藝術學院美術系中國畫專業。在充滿理想主義與新潮思想的八十年代，他深受藝術氛圍的滋養，逐漸形成了獨特的繪畫風格。他的作品題材廣泛，涵蓋花卉、人物、佛像、靜物和山水，畫面底色常顯暗淡斑駁，但近看卻極其豐富，耐人尋味。阿海的創作過程充滿實驗性。他善于 “ 重啟 ” 與 “ 破壞 ” ，將偶然性與隨機性融入畫面，創造出斑駁淋漓的視覺效果，甚至呈現出奇妙的金屬質感。這種看似無序的表達，實則是對秩序與和諧的深層探索。他的作品意境悠遠，或神秘，或晦澀，但總能讓人感受到一種溫潤與清朗的力量。正如他筆下的鳶尾花，在微風中輕輕搖曳，以特有的熱情與勇氣，迎向這個遍布塵埃的世界，給人以撫慰與希望。 阿海 暗香 66x95cm 紙本設色 2014 阿海 鳶尾·之一 72x136cm 紙本水墨 2024 Anative of Nanjing, Ah Hai studied at the Fine Arts Department of the NanjingUniversity of the Arts,majoring in Chinese painting. During the 1980s, a period rich in idealism andnew wave ideas, he was profoundly influenced by the artistic atmosphere of thetime, which helped him gradually develop a unique painting style. His worksencompass a diverse range of subjects, including flowers, figures, Buddhiststatues, still lifes, and landscapes. The undertones of his paintings are oftendark and mottled; however, upon closer inspection, they reveal an extraordinaryrichness and intrigue. Ah Hai's creativeprocess is characterized by experimentation. He excels in"restarting" and "destroying" elements within his work,incorporating chance and randomness to create dappled visual effects and evenachieving a remarkable metallic texture. This seemingly chaotic expression is,in fact, a profound exploration of order and harmony. His artwork carries deepmeanings, often appearing mysterious or obscure, yet it consistently evokes awarm and clarifying energy. Much like his irises gently swaying in the breeze,his paintings embrace the world with unique passion and courage, offeringcomfort and hope to viewers. 林海鐘 香象如意圖 144x76.5cm 紙本水墨 2024 林海鐘自幼居于杭州寶石山下，西湖的煙云幻滅、風柳桃花深深滋養了他的藝術靈魂。他的作品以山水為主，傳承中國畫的古意，倡導 “ 以書入畫，筆墨為宗 ” 。他將歷代文人墨客對西湖的贊美融入筆尖，記錄下與這片湖山的不解之緣。林海鐘的山水畫線條蒼勁柔美，皴染變化有致，表現出山水的蕭散、虛靜與澄明。他的筆觸看似漫不經心，實則暗含匠心，常在無心處顯露出意存筆外的灑脫與飄逸。他深諳 “ 造化 ” 與 “ 心 ” 的關系：造化是自然山水的妙趣，而心則是藝術家的情操與胸懷。只有將二者融為一體，才能在山水世界中 “ 暢神 ” ，找到心靈的棲居地。 林海鐘 石門臺九疊瀑 34.5x34.5cm 紙本水墨 2024年 Lin Haizhong grew up beneath the Jewel Mountain in Hangzhou, where his artistic spirit was profoundly nourished by the misty clouds and reflections of West Lake, as well as the dancing willows and blooming peach trees. His works primarily focus on landscapes, inheriting the ancient principles of Chinese painting and emphasizing the philosophy of "painting with calligraphy, brush, and ink." He channels the praises of past literati and artists associated with West Lake through the tip of his brush, capturing the enduring relationship he shares with this landscape. Lin Haizhong's landscape paintings are characterized by strong yet gentle lines, displaying a rich variety that conveys dispersion, emptiness, and clarity within the scenery. At first glance, his brushwork may appear casual; however, it is imbued with craftsmanship, often revealing intentionality in unexpected places—balancing spontaneity with deliberate expression. He recognizes the interplay between "creation" and "heart": creation embodies the beauty of the natural landscape, while the heart reflects the artist's sentiments and thoughts. Only by integrating these two elements can one discover a place for the heart to reside within the realm of landscape. 林海鐘 千巖疊翠 78x218cm 紙本設色 2024 “桃花源”不僅是地理意義上的秘境，更是心靈深處的理想國。本次展覽的三位藝術家創作題材雖風格迥異，表達主旨卻內核相通。他們以各自的方式，重新詮釋了“桃花源”這一極具東方意蘊的文化符號。無論是沈岳筆墨間的忘我之境，阿海畫紙斑駁中的澄明之光，亦或是海鐘所描繪的湖山之間的心靈棲息，都在傳遞著同一個訊息：當你的心與世界、與天地萬物鏈接在一起的時候，你就會感到無上的清涼與光明。而有過那樣境界的人，是不會再有煩惱和疑惑的。 The "Peach Blossom Spring" is not merely a secluded place in the geographical sense, but an ideal realm deep within the soul. The three artists in this exhibition, despite their distinct styles of creative themes, share a common core in their expressive purport. In their respective ways, they have re - interpreted the cultural symbol of the "Peach Blossom Spring", which is imbued with profound Eastern connotations. Whether it is the state of self - oblivion in Shen Yue's brushstrokes, the light of clarity in the mottled paper of Ahai's paintings, or the spiritual sojourn amidst the lakes and mountains depicted by Haizhong, they all convey the same message: when your heart connects with the world and all things between heaven and earth, you will experience an ineffable sense of tranquility and illumination. Those who have reached such a state are free from the troubles of worry and doubt. 心中若有“桃花源”，何處不是水云間。 If there is a "Peach Blossom Spring" in your heart, every place is a haven of peace and beauty. 馮黎敏 Feng Limin 2025.2.8 關于藝術家 沈岳 沈岳 藝術家、中國美術學院教授 曾策劃并執行2006年中國首屆世界佛教論壇 (普陀山) 曾擔任北京2008奧運會開閉幕式創意方案委托創作團隊主創人員 曾擔任《中國非物質文化保護》專題片藝術總監 曾為北京天安門城樓貴賓廳及中南海懷仁堂創作大幅中國畫《十月金秋》、《春天》 《琴棋書畫》系列裝置在2008北京奧運會場館展出。 《夢回桃源》系列作品，曾在中國美術館、北京今日美術館、北京798藝術區，浙江美術館以及意大利、新西蘭等國家展出。 阿海 阿海 1963 出生于中國南京 1989畢業于南京藝術學院美術系 現在工作、生活在上海、舊金山。 林海鐘 林海鐘 號臥霞散人錢塘后來生 林泉閣主人 1968年生于浙江 杭州 1986年考入浙江美術學院（現中國美術學院）中國畫系 2000年攻讀博士學位，成為首屆中國畫六博士之一 現為中國美術學院中國畫系教授/博士生導師、浙江山水畫研究會會長
責任編輯：王潔 |
