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展覽日期：2017/4/22—5/10

展覽地點：南京藝術學院美術館四號展廳 共生·蒼鑫2017

SYMBIOSIS ·CANG XIN 2017

展覽時間Dates：

2017/4/22—5/10

展覽地點Venue：

南京藝術學院美術館四號展廳 Hall 4,AMNUA

開幕時間Opening Time：

2017年4月22日 15:00

開幕地點Opening Location：

南京藝術學院美術館大廳 AMNUA Entrance Hall

研討會時間Symposium Time：

2017年4月22日

研討會地點Symposium Location：

南京藝術學院美術館二樓研討區 AMNUA 2F

主辦Sponsor：南京藝術學院美術館 AMNUA

藝術總監：李小山

Art Director：Li Xiaoshan

策展人：陳瑞

Curator: Chen Rui

蒼鑫是著名的當代藝術家，對中國當代藝術史略有了解的人都知道他的作品和影響力,特別是他在行為藝術領域的實踐探索，從 《為無名山增高一米》到《交流》以及后來一系列的行為作品，蒼鑫身體力行地進行了長期的觀念藝術和行為藝術實踐，都是中國當代藝術研究者無法忽視的研究對象。第一次遇到蒼鑫是在2008年他在南京四方當代美術館舉辦的個展上，展覽展出了他許多行為、雕塑和繪畫作品，那時我還是個大三學生，看到這些充滿觀念的作品對我視野的拓展起到了很大的作用。沒想到如今能夠協助策劃蒼鑫先生的個展，因緣際會，殊為感嘆！

As a famous contemporary artist, Cang Xin’s works have quite therecognition and influence towards anyone with a brief knowledge about theHistory of Chinese Contemporary Art. In particular about his practice andexploration in Performance Art, from < To Add One Meter to an AnonymousMountain> to and the following performance series ,his long-term basis personal practices in conceptual and behavioral art issomething of an object of study that can not be neglected by the researchers inChinese Contemporary Art. First time i met Cang Xin was back in 2008 on hissolo exhibition at SIFANG ART MUSEUM, Nanjing, where numerous performances,sculptures and paintings were exhibited, by seeing these works that are full ofconcepts did cause a serious impact on my own vision as a third yearundergraduate student back at that time. It is quite an unexpected andcoincidental opportunity that i would be able to assist the curation of CangXin’s solo exhibition this time.

平心而論，蒼鑫作品最打動我的是他作品中充滿的靈性，就像他早起的行為作品，簡單靈活又充滿氣場。需要說明的是，這種靈性是源于內心而不是符號化的，這也使得蒼鑫與同時期許多藝術家慣用的“中國符號與中國智慧”的套路拉開了距離，充滿了中國特色的同時又不是簡單的傳統挪用，形成了獨特面貌。這也為蒼鑫后來的藝術創作打下了相對廣闊而堅實的基礎，避免了許多中國當代藝術家的在創作與轉型方面的困境。

In all fairness, spirituality in Cang Xin’s works often touches methe most, just like his early works which were simple,agile and full of aura.Though in necessity of declaration, the kind of agility in works is from deepwithin instead of being signifying which also made a certain distance inbetween Cang Xin’s works and other artists from his generation who consistentlyused ‘Chinese Symbols and Chinese Wisdom’ as a way to their works , it isfilled with special characteristics of our nation and not just simply invokingtraditions , all of which formed into an unique visage. These provided a strongbase that are relatively vast to Cang Xin’s later artistic practices, whichavoided the dilemma to creation and transformation that happened on lots ofChinese Contemporary artists.

與之前的作品相比，近些年蒼鑫的創作狀態有向把控宏大的主題和綜合表現發展的趨勢，這也令他的作品向譜系化的創作體系延展，綜合了宗教學、生物學、民俗學、人類學等多方面的精神給養，所以呈現的面貌和表現的形式也十分可觀。當然，可觀作品的背后是一個藝術家不斷的思考和勤奮的創作的直接體現，無論在什么狀態之下，這一點是毋庸置疑的。

In comparison of his earlier works, the status of Cang Xin’s recentpractices had trended to immense themeshandle and comprehensive performance development , which helped his worksextending towards a genealogical kind of creative system. Status that colligatewith various aspects of mental provision like Religion, Biology, Folklore andetc is often impressive of its visage and expressive form. However it is withouta doubt that, what is behind the impressive works would always be the directreflection of the artist’s constant thinking and hardworking under whichevercircumstances.

蒼鑫曾把他的藝術活動總結為兩種性質：既是一個高級祭司，又是科學研究者。就像他擺滿各種生物標本和作品工作室，既像是一個道場，又像是一個生物實驗室。兩個方向匯集在藝術創作中，使得蒼鑫不僅是一個物體靈性的收集者和整合者，更像是是一個造物者，這一點使得其多年形成的藝術譜系得以不斷展現出新的面貌和形態。

Cang Xin had once summarized hisart activities into two properties: a high-end priest and scientific researcher.Like his studio where he filled with all kinds of biological samples and artworks, the place is like a dojo yet also a biology lab. With these twodirections coming together in artistic practices, it made Cang Xin not only aspiritual collector and integrator but more like a creator. And by this point ,his artistic genealogy that was developed over the years could constantlyreveal its new visage and form.

本次在南京藝術學院美術館舉辦的個展還有兩個時間上節點值得一提，第一今年是蒼鑫的知天命之年，按照年齡的劃分，完全以一個成熟藝術家的面貌出現，同時對于藝術生命來說，也是一個新的開始。第二據上次蒼鑫在南京舉辦的個展已經過去近十年的時間，這十年間，蒼鑫在藝術上面有哪些新思考和新作品，將以何種方式展現，都讓我們拭目以待。

It is worth mentioning aboutthe two nodes on the timing for Cang Xin’s solo exhibition at the Art Museum ofNanjing University of the Arts this time, firstly is this year marks the artist’s50th year in age, when he appears as an artist with full maturity,if according to the division of age. Meanwhile it is a fresh beginning for hisartistic life itself. Secondly it had been over a decade since Cang Xin lastheld his solo exhibition here in Nanjing, so we are yet to wait and see his newconsideration on art works during which time and in what way will these all bepresented.

預祝展覽成功！

I here congratulate beforehand on the success of this exhibition!

陳瑞 Chen Rui 2017年春于南京

In 2017Spring, Najing