首屆博物館館長論壇特別展“吳門馨風——張繼馨畫展”將于5月25日開幕
| 2018-06-30來源：江蘇省美術館 |
首屆博物館館長論壇特別展 吳門馨風——張繼馨畫展 SPECIAL EXHIBITION FOR THE FIRST INTERNATNATIONAL MUSEUM DIRECTORS'FORUM The Fragrance of Wu School—Zhang Jixin Art Exhibition 展覽時間：2018.5.25-5.31 展覽地點：江蘇省美術館1號展廳 開幕式時間：2018.5.25上午10：00
主辦單位： 中央文史研究館書畫院 中國美術家協會藝術委員會 江蘇省文史研究館 江蘇省美術家協會 江蘇省美術館 中共蘇州市委宣傳部
承辦單位： 江蘇省花鳥畫研究會 中國民主促進會蘇州市委員會 蘇州市文學藝術界聯合會 蘇州市相城區委宣傳部
協辦單位： 蘇州市相城區文化體育局 蘇州市美術家協會 蘇州市花鳥畫研究會 張繼馨藝術館
Time of Opening Ceremony: 10:00 a.m. on May 25, 2018 Dates of Exhibit: May 25 to May 31, 2018 Venue: No. 1 Hall, Jiangsu Provincial Art Gallery
Sponsors: The Calligraphy and Painting Academy of The Central Research Institute of Culture and History Art Committee of Chinese Artists AssociationThe Jiangsu Research Institute of Culture and History Jiangsu Artists Association Jiangsu Provincial Art Gallery Suzhou Municipal Propaganda Department
Organizers: Jiangsu Flower and Bird Painting Research Association Suzhou Association for Promoting Democracy League of Literature and Art of Suzhou Propaganda Department of Xiangcheng District, Suzhou
Co-Organizers: Culture and Sports Bureau of Xiangcheng District, Suzhou Suzhou Artists Association Suzhou Flower and Bird Painting Research Association Zhang Jixin Art Museum
展 覽 前 言 在中國繪畫史上，明代蘇州“吳門畫派”的寫意花鳥畫有著鮮明的劃時代意義，沈周、文徵明、陳淳、陸治、周之冕等大家的寫意花鳥畫，彪炳史冊，垂范后人，至近現代，從陸恢——陳摩——張辛稼——張繼馨，依然一脈相傳，吳門馨風，清香飄逸。 現已93歲高齡的張繼馨先生早年追隨張辛稼先生學寫意花鳥畫，同時沉浸于傳統繪畫的臨摹學習，埋頭于藝術理論及古典文學詩歌研讀之中，六七十年代與吳湖帆、江寒汀、張大壯、陸儼少、劉海粟、沈子丞等名畫家交游，切磋畫藝，受益良多。七十年代末張繼馨先生任蘇州市工藝美術職業大學副校長，在繁重的行政、教學工作之余，先后編著出版花鳥畫技法教材有50多種；在繪畫創作的同時又筆耕不綴，撰寫了大量繪畫評論文章及學術論著。 張繼馨先生的寫意花鳥畫早在二十世紀七十年代就形成鮮明的個人風格，退休后更是致力于傳承吳門寫意花鳥畫，并加以新的歷史性拓展，終于獲得了豐碩的成果。張繼馨先生的繪畫創作源于對蘇州水鄉自然環境生態之美的感動和審美思考，以寫生為基礎，探索客觀對象之“似”與生命之“真”的契合方式；在筆墨技巧表達上則注重融毛筆線條的書寫性和水、墨、色的相互交融、統一于物象形態的意象表達之中，創造性地探索、研究“江南水鄉寫意花鳥畫”圖式。張繼馨先生筆下之花草魚蟲禽鳥形象，寫生與寫意結合，靈動可愛，筆墨格調雄健酣暢中不失清秀溫潤，作品構圖則呈現千變萬化之氣象，既凸現自然對象生命之張力，亦是藝術形象塑造、筆墨語言探索之審美追求，更表達了他對萬物生靈的欣然之情及深沉的生命感悟，豐滿地呈現出積極向上的時代精神維度。 張繼馨先生的寫意花鳥畫筆墨技巧的運用完全是站在時代發展高端上，形成了他藝術創造上的總體面貌與當代影響的。因此，張繼馨先生的花鳥畫享譽江蘇乃至全國花鳥畫壇，不愧為當代新吳門畫派花鳥畫卓越不凡的掌門大家。 2018年5月 展 覽 前 言 In the history of Chinese painting, freehand bird and flower paintings of the Wu School, which existed in Suzhou in the Ming Dynasty, are distinctive and epoch-making. The freehand bird and flower paintings of Shen Zhou, Wen Zhengming, Chen Chun, Lu Zhi, Zhou Zhimian, and other masters have shone throughout history and guided numerous generations. In modern times, from Lu Hui, Chen Mo, Zhang Xinjia, to Zhang Jixin, the Wu Painting School is still imbued with the same spirit, elegance and inspiration. Mr. Zhang Jixin, now 93 years old, followed Mr. Zhang Xinjia early in his life and learned the freehand bird and flower paintings. During his study, he was also immersed in the imitation of traditional paintings as well as the study of art theories and classical poetries. In the 1960s and 1970s, he made friends with Wu Hufan, Jiang Hanting, Zhang Dazhuang, Lu Yanshao, Liu Haisu, Shen Zicheng, and other famous painters, with whom he exchanged views and expertise, which greatly benefited him. At the end of the 1970s, Zhang served as the vice president of Suzhou Art & Design Technology Institute. Despite his busy administrative and teaching work, Zhang published more than 50 textbooks on flower and bird painting techniques. He wrote a large number of painting review articles and academic writings while being engaged in the creation of great paintings. Mr. Zhang’s freehand flower and bird paintings have showcased a distinctive personal style as early as the 1970s. After his retirement, he was devoted to the inheritance of Wu School freehand bird and flower paintings with new historical development, finally achieving fruitful results. His painting creation originated from his feelings and aesthetic considerations of the natural beauty of waterside villages in Suzhou. Based on sketching, he explored the way to match the imagery of objective objects with the truthfulness of life. In terms of painting techniques, he emphasizes the combination of the writing characteristics of brush lines and water, ink, and color so that they can unitedly express the imagery of objects. He has been creatively exploring and studying the patterns of “freehand paintings of bird and flower in the water towns of Jiangnan”. Zhang Jixin has blended sketching with freehand painting, bringing life to the flowers, birds, fish, and insects under his brush. His strokes are both powerful and delicate. His composition has a myriad of changes, which gives nature endless dynamics while expressing his appreciation and profound sentiments toward all creatures. His esthetic pursuit of the language of brushstrokes and artistic images reflects the positive and progressive spiritual dimension of the times. Mr. Zhang Jixin’s freehand bird and flower paintings feature era-leading painting techniques, which forms the overall characteristics and contemporary influence of his artistic creation. Therefore, his flower and bird paintings are well-known in Jiangsu and even the whole country. No doubt, he is the most extraordinary master of modern Wu School. May 2018
責任編輯：王潔 |
